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Piano Sheet Music
"Beautiful music is the art of the prophets that can calm the agitations of the soul; it is one of the most magnificent and delightful presents God has given us." Martin Luther
Sara Bareilles
Sara Beth Bareilles (born December 7, 1979) is an American singer-songwriter and pianist. She achieved mainstream success in 2007 with the hit single "Love Song", which brought her into the number one spot on the Billboard Pop 100 chart.
After graduating from college in 2002, Bareilles performed at local bars and clubs (such as the Hotel Cafe and Genghis Cohen in Los Angeles), building a following, before performing in larger venues. She issued two demos of mostly live tracks in 2003: The First One in April and The Summer Sessions in October. In 2004, she appeared as a singer in a bar in the indie film Girl Play, performing the song "Undertow".
In January 2004, Bareilles released her first studio album, Careful Confessions. She signed a contract with Epic Records' A&R executive Pete Giberga on April 15, 2005. The remainder of the year and early 2006 were spent writing and reworking songs for her upcoming album. Her song, "Gravity," appears briefly in the 2006 independent film Loving Annabelle. She also toured as the opening act in 2006 for Marc Broussard's "Carencro" tour.
In mid-2004 she opened for Rocco DeLuca and the Burden during their inaugural headline tour, supported Guster on their first UK tour and co-headlined a tour with Jon McLaughlin. In 2007, Bareilles toured as the opening act for Aqualung and Mika, and later that year opened for several shows on both Maroon 5 and Paolo Nutini's U.S. tours. She also opened for James Blunt on his U.S. Tour in association with VH1 You Oughta Know.
After graduating from college in 2002, Bareilles performed at local bars and clubs (such as the Hotel Cafe and Genghis Cohen in Los Angeles), building a following, before performing in larger venues. She issued two demos of mostly live tracks in 2003: The First One in April and The Summer Sessions in October. In 2004, she appeared as a singer in a bar in the indie film Girl Play, performing the song "Undertow".
In January 2004, Bareilles released her first studio album, Careful Confessions. She signed a contract with Epic Records' A&R executive Pete Giberga on April 15, 2005. The remainder of the year and early 2006 were spent writing and reworking songs for her upcoming album. Her song, "Gravity," appears briefly in the 2006 independent film Loving Annabelle. She also toured as the opening act in 2006 for Marc Broussard's "Carencro" tour.
In mid-2004 she opened for Rocco DeLuca and the Burden during their inaugural headline tour, supported Guster on their first UK tour and co-headlined a tour with Jon McLaughlin. In 2007, Bareilles toured as the opening act for Aqualung and Mika, and later that year opened for several shows on both Maroon 5 and Paolo Nutini's U.S. tours. She also opened for James Blunt on his U.S. Tour in association with VH1 You Oughta Know.
Rachmaninoff
Sergei Vasilievich Rachmaninoff (1 April 1873 - 28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Cecile Chaminade
Cécile Louise Stéphanie Chaminade (August 8, 1857 – April 13, 1944) was a French composer and pianist.
Born in Paris, she studied at first with her mother, then with Félix Le Couppey, Augustin Savard, Martin Pierre Marsick and Benjamin Godard, but not officially, since her father disapproved of her musical education.
Her first experiments in composition took place in very early days, and in her eighth year she played some of her sacred music to Georges Bizet, who was much impressed with her talents. She gave her first concert when she was eighteen, and from that time on her work as a composer gained steadily in favor. She wrote mostly character pieces for piano, and salon songs, almost all of which were published.
She toured France several times in those earlier days, and in 1892 made her début in England, where her work was extremely popular.
Chaminade married a music publisher from Marseilles, Louis-Mathieu Carbonel, in 1901, and on account of his advanced age the marriage was rumored to be one of convenience. He died in 1907, and Chaminade did not remarry.
In 1908 she visited the United States, and was accorded a very hearty welcome from her innumerable admirers there. Her compositions were tremendous favorites with the American public, and such pieces as the Scarf dance or the Ballet No. 1 were to be found in the music libraries of many lovers of piano music of the time. She composed a Konzertstück for piano and orchestra, the ballet music to Callirhoé and other orchestral works. Her songs, such as The Silver Ring and Ritournelle, were also great favorites. Ambroise Thomas, the celebrated French composer and writer, once said of Chaminade: "This is not a woman who composes, but a composer who is a woman." In 1913, she was awarded the Légion d'Honneur, a first for a female composer. In London, 1903, she made gramophone recordings of six of her compositions for the Gramophone and Typewriter Company; these are among the most sought-after piano recordings by collectors. Before and after World War I, Chaminade recorded many piano rolls, but as she grew older, she composed less and less, dying in Monte Carlo on April 13, 1944.
Born in Paris, she studied at first with her mother, then with Félix Le Couppey, Augustin Savard, Martin Pierre Marsick and Benjamin Godard, but not officially, since her father disapproved of her musical education.
Her first experiments in composition took place in very early days, and in her eighth year she played some of her sacred music to Georges Bizet, who was much impressed with her talents. She gave her first concert when she was eighteen, and from that time on her work as a composer gained steadily in favor. She wrote mostly character pieces for piano, and salon songs, almost all of which were published.
She toured France several times in those earlier days, and in 1892 made her début in England, where her work was extremely popular.
Chaminade married a music publisher from Marseilles, Louis-Mathieu Carbonel, in 1901, and on account of his advanced age the marriage was rumored to be one of convenience. He died in 1907, and Chaminade did not remarry.
In 1908 she visited the United States, and was accorded a very hearty welcome from her innumerable admirers there. Her compositions were tremendous favorites with the American public, and such pieces as the Scarf dance or the Ballet No. 1 were to be found in the music libraries of many lovers of piano music of the time. She composed a Konzertstück for piano and orchestra, the ballet music to Callirhoé and other orchestral works. Her songs, such as The Silver Ring and Ritournelle, were also great favorites. Ambroise Thomas, the celebrated French composer and writer, once said of Chaminade: "This is not a woman who composes, but a composer who is a woman." In 1913, she was awarded the Légion d'Honneur, a first for a female composer. In London, 1903, she made gramophone recordings of six of her compositions for the Gramophone and Typewriter Company; these are among the most sought-after piano recordings by collectors. Before and after World War I, Chaminade recorded many piano rolls, but as she grew older, she composed less and less, dying in Monte Carlo on April 13, 1944.
David Yazbek
David Norman Yazbek (born 1961) is an American writer, musician, composer, and lyricist. He wrote the music and lyrics for the Broadway musicals The Full Monty (2000), Dirty Rotten Scoundrels (2005), Women on the Verge of a Nervous Breakdown (2010), The Band's Visit (2017), and Tootsie (2019).
Connie Francis
Concetta Rosa Maria Franconero (born December 12, 1937), known professionally as Connie Francis, is an American pop singer, former actress, and top-charting female vocalist of the late 1950s and early 1960s. Although her chart success waned in the second half of the 1960s, Francis remained a top concert draw.
Guang Liang
Michael Wong (Chinese: 王光良; pinyin: Wáng Guāngliáng), born August 30, 1970, is a Malaysian Chinese singer and composer. Wong began his singing career in a duo with Victor Wong. The pair had attained notable success in Taiwan, but in a mutual agreement the two split in 2000. Wong has released five solo albums, the third being his breakthrough album Fairy Tale. He also enjoys success as an actor in Chinese dramas and movies.
Antonio Carlos Jobim
Antonio Carlos Brasileiro de Almeida Jobim (January 25, 1927 in Rio de Janeiro – December 8, 1994 in New York City), also known as Tom Jobim, was a Grammy Award-winning Brazilian songwriter, composer, arranger, singer, and pianist/guitarist. A primary force behind the creation of the bossa nova style, Jobim is acknowledged as one of the most influential popular composers of the 20th century. His songs have been performed by many singers and instrumentalists within Brazil and internationally.
Henry Mancini
Henry Mancini (April 16, 1924 – June 14, 1994) was an American composer, conductor and arranger. He is remembered particularly for being a composer of film and television scores. Mancini also won a record number of Grammy awards, including a Grammy Lifetime Achievement Award in 1995. His best-known works are the jazz-idiom theme to The Pink Panther film series ("The Pink Panther Theme"), the Peter Gunn Theme (from the so-named series) and "Moon River".
Mancini was nominated for an unprecedented 72 Grammys, winning 20. Additionally he was nominated for 18 Academy Awards, winning four. He also won a Golden Globe Award and was nominated for two Emmys.
Mancini won a total of four Oscars for his music in the course of his career. He was first nominated for an Academy Award in 1955 for his original score of The Glenn Miller Story, on which he collaborated with Joseph Gershenson. He lost out to Adolph Deutsch and Saul Chaplin's Seven Brides for Seven Brothers. In 1962 he was nominated in the Best Music, Original Song category for "Bachelor in Paradise" from the film of the same name, in collaboration with lyricist Mack David. That song did not win. However, Mancini did receive two Oscars that year: one in the same category, for the song "Moon River" (shared with lyricist Johnny Mercer), and one for "Best Music, Scoring of a Dramatic or Comedy Picture" for Breakfast at Tiffany's. The following year, he and Mercer took another Best Song award for "Days of Wine and Roses," another eponymous theme song. His next eleven nominations went for naught, but he finally garnered one last statuette working with lyricist Leslie Bricusse on the score for Victor/Victoria, which won the "Best Music, Original Song Score and Its Adaptation or Best Adaptation Score" award for 1983. All three of the films for which he won were directed by Blake Edwards. His score for Victor/Victoria was adapted for the 1995 Broadway musical of the same name.
Mancini was nominated for an unprecedented 72 Grammys, winning 20. Additionally he was nominated for 18 Academy Awards, winning four. He also won a Golden Globe Award and was nominated for two Emmys.
Mancini won a total of four Oscars for his music in the course of his career. He was first nominated for an Academy Award in 1955 for his original score of The Glenn Miller Story, on which he collaborated with Joseph Gershenson. He lost out to Adolph Deutsch and Saul Chaplin's Seven Brides for Seven Brothers. In 1962 he was nominated in the Best Music, Original Song category for "Bachelor in Paradise" from the film of the same name, in collaboration with lyricist Mack David. That song did not win. However, Mancini did receive two Oscars that year: one in the same category, for the song "Moon River" (shared with lyricist Johnny Mercer), and one for "Best Music, Scoring of a Dramatic or Comedy Picture" for Breakfast at Tiffany's. The following year, he and Mercer took another Best Song award for "Days of Wine and Roses," another eponymous theme song. His next eleven nominations went for naught, but he finally garnered one last statuette working with lyricist Leslie Bricusse on the score for Victor/Victoria, which won the "Best Music, Original Song Score and Its Adaptation or Best Adaptation Score" award for 1983. All three of the films for which he won were directed by Blake Edwards. His score for Victor/Victoria was adapted for the 1995 Broadway musical of the same name.
The Beatles
The Beatles were a pop and rock group from Liverpool, England formed in 1960. Primarily consisting of John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals) and Ringo Starr (drums, vocals) throughout their career, The Beatles are recognised for leading the mid-1960s musical "British Invasion" into the United States. Although their initial musical style was rooted in 1950s rock and roll and homegrown skiffle, the group explored genres ranging from Tin Pan Alley to psychedelic rock. Their clothes, styles, and statements made them trend-setters, while their growing social awareness saw their influence extend into the social and cultural revolutions of the 1960s. After the band broke up in 1970, all four members embarked upon solo careers.
The Beatles are one of the most commercially successful and critically acclaimed bands in the history of popular music, selling over a billion records internationally. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. This commercial success was repeated in many other countries; their record company, EMI, estimated that by 1985 they had sold over one billion records worldwide. According to the Recording Industry Association of America, The Beatles have sold more albums in the United States than any other band. In 2004, Rolling Stone magazine ranked The Beatles number one on its list of 100 Greatest Artists of All Time. According to that same magazine, The Beatles' innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart's fiftieth anniversary; The Beatles reached #1 again.
The Beatles are one of the most commercially successful and critically acclaimed bands in the history of popular music, selling over a billion records internationally. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. This commercial success was repeated in many other countries; their record company, EMI, estimated that by 1985 they had sold over one billion records worldwide. According to the Recording Industry Association of America, The Beatles have sold more albums in the United States than any other band. In 2004, Rolling Stone magazine ranked The Beatles number one on its list of 100 Greatest Artists of All Time. According to that same magazine, The Beatles' innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart's fiftieth anniversary; The Beatles reached #1 again.
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Red Hot Chili Peppers
Red Hot Chili Peppers are an American rock band formed in Los Angeles, California, in 1983. For most of its existence, the band has consisted of vocalist Anthony Kiedis, guitarist John Frusciante, bassist Michael "Flea" Balzary, and drummer Chad Smith. The band's varied musical style has fused traditional rock and funk with various elements of heavy metal, punk rock and psychedelic rock.
In addition to Kiedis and Flea, the group originally featured guitarist Hillel Slovak and drummer Jack Irons. However, Slovak died of a heroin overdose in 1988, resulting in Irons resigning. Irons was replaced briefly by former Dead Kennedys drummer D. H. Peligro before the band found a permanent replacement in Chad Smith, while Slovak was replaced by up-and-coming guitarist Frusciante. This lineup recorded the band's fourth and fifth albums, Mother's Milk (1989) and Blood Sugar Sex Magik (1991).
Blood Sugar Sex Magik was a critical success and sold over twelve million copies. However, Frusciante grew uncomfortable with the band's success and left the band abruptly in 1992. Kiedis, Flea, and Smith employed Dave Navarro of Jane's Addiction for their subsequent album, One Hot Minute (1995). It, however, failed to match the critical acclaim of Blood Sugar Sex Magik and sold fewer than half the copies of its predecessor. Shortly afterwards, Navarro was fired from the band due to creative differences.
Frusciante, during his time away from the band in 1998, completed rehabilitation and at Flea's request, rejoined the band. The reunited foursome returned to the studio to record Californication (1999), which went on to sell fifteen million units worldwide, becoming their most successful album to date. It was followed three years later with By the Way (2002), which continued their success. In 2006, the group released the double album Stadium Arcadium. The band has won six Grammy Awards. They have sold over fifty million albums world wide, have had seven singles in the Top 40 of the Billboard Hot 100 (including three singles in the Top 10), have had five #1 singles on the Mainstream Rock charts, and a record eleven #1 singles on the Modern Rock charts.
In addition to Kiedis and Flea, the group originally featured guitarist Hillel Slovak and drummer Jack Irons. However, Slovak died of a heroin overdose in 1988, resulting in Irons resigning. Irons was replaced briefly by former Dead Kennedys drummer D. H. Peligro before the band found a permanent replacement in Chad Smith, while Slovak was replaced by up-and-coming guitarist Frusciante. This lineup recorded the band's fourth and fifth albums, Mother's Milk (1989) and Blood Sugar Sex Magik (1991).
Blood Sugar Sex Magik was a critical success and sold over twelve million copies. However, Frusciante grew uncomfortable with the band's success and left the band abruptly in 1992. Kiedis, Flea, and Smith employed Dave Navarro of Jane's Addiction for their subsequent album, One Hot Minute (1995). It, however, failed to match the critical acclaim of Blood Sugar Sex Magik and sold fewer than half the copies of its predecessor. Shortly afterwards, Navarro was fired from the band due to creative differences.
Frusciante, during his time away from the band in 1998, completed rehabilitation and at Flea's request, rejoined the band. The reunited foursome returned to the studio to record Californication (1999), which went on to sell fifteen million units worldwide, becoming their most successful album to date. It was followed three years later with By the Way (2002), which continued their success. In 2006, the group released the double album Stadium Arcadium. The band has won six Grammy Awards. They have sold over fifty million albums world wide, have had seven singles in the Top 40 of the Billboard Hot 100 (including three singles in the Top 10), have had five #1 singles on the Mainstream Rock charts, and a record eleven #1 singles on the Modern Rock charts.
Gustav Holst
Gustav Theodore Holst (21 September 1874 – 25 May 1934) was an English composer and was a music teacher for nearly 20 years. He is most famous for his orchestral suite The Planets. Having studied at the Royal College of Music in London, his early work was influenced by Ravel, Grieg, Richard Strauss, and fellow student Ralph Vaughan Williams, but most of his music is highly original, with influences from Hindu spiritualism and English folk tunes. Holst's music is well known for unconventional use of metre and haunting melodies.
Holst wrote almost 200 catalogued compositions, including orchestral suites, operas, ballets, concertos, choral hymns, and songs (see Selected works below).
Holst became music master at St Paul's Girls' School in 1905 and director of music at Morley College in 1907, continuing in both posts until retirement.
He was the brother of Hollywood actor Ernest Cossart and father of the composer and conductor Imogen Holst, who wrote a biography of him in 1938.
Holst wrote almost 200 catalogued compositions, including orchestral suites, operas, ballets, concertos, choral hymns, and songs (see Selected works below).
Holst became music master at St Paul's Girls' School in 1905 and director of music at Morley College in 1907, continuing in both posts until retirement.
He was the brother of Hollywood actor Ernest Cossart and father of the composer and conductor Imogen Holst, who wrote a biography of him in 1938.
Edvard Grieg
Edvard Hagerup Grieg (15 June 1843 – 4 September 1907) was a Norwegian composer and pianist who composed in the Romantic period. He is best known for his Piano Concerto in A minor, for his incidental music to Henrik Ibsen's play Peer Gynt (which includes Morning Mood and In the Hall of the Mountain King), and for his collection of piano miniatures Lyric Pieces. "Edvard" is sometimes mispelt as "Edward".
Grieg is renowned as a nationalist composer, drawing inspiration from Norwegian folk music. Early works include a symphony (which he later suppressed) and a piano sonata. He also wrote three sonatas for violin and piano and a cello sonata. His many short pieces for piano — often based on Norwegian folk tunes and dances — led some to call him the "Chopin of the North".
Concerto in A minor: 1. Allegro molto moderato
Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano)
Concerto in A minor: 1. Allegro molto moderato
Performed by the Skidmore College Orchestra (courtesy of Musopen)
Concerto in A minor: 2. Adagio
Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano)
Concerto in A minor: 2. Adagio
Performed by the Skidmore College Orchestra (courtesy of Musopen)
Concerto in A minor: 3. Allegro moderato molto e marcato
Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano)
Concerto in A minor: 3. Allegro moderato molto e marcato
Performed by the Skidmore College Orchestra (courtesy of Musopen)
Notturno, Op. 54, No. 4
Performed live by Mark Gasser
Problems listening to these files? See media help.
The Piano Concerto is his most popular work. Its champions have included the pianist and composer Percy Grainger, a personal friend of Grieg who played the concerto frequently during his long career. An arrangement of part of the work made an iconic television comedy appearance in the 1971 Morecambe and Wise Show, conducted by André Previn.
Some of the Lyric Pieces (for piano) are also well-known, as is the incidental music to Henrik Ibsen's play Peer Gynt, a play that Grieg found to be an arduous work to score properly. In a 1874 letter to his friend Frants Beyer, Grieg expressed his unhappiness with what is now considered one of his most popular compositions from Peer Gynt, In the Hall of the Mountain King: "I have also written something for the scene in the hall of the mountain King - something that I literally can't bear listening to because it absolutely reeks of cow-pies, exaggerated Norwegian nationalism, and trollish self-satisfaction! But I have a hunch that the irony will be discernible."
Grieg is renowned as a nationalist composer, drawing inspiration from Norwegian folk music. Early works include a symphony (which he later suppressed) and a piano sonata. He also wrote three sonatas for violin and piano and a cello sonata. His many short pieces for piano — often based on Norwegian folk tunes and dances — led some to call him the "Chopin of the North".
Concerto in A minor: 1. Allegro molto moderato
Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano)
Concerto in A minor: 1. Allegro molto moderato
Performed by the Skidmore College Orchestra (courtesy of Musopen)
Concerto in A minor: 2. Adagio
Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano)
Concerto in A minor: 2. Adagio
Performed by the Skidmore College Orchestra (courtesy of Musopen)
Concerto in A minor: 3. Allegro moderato molto e marcato
Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano)
Concerto in A minor: 3. Allegro moderato molto e marcato
Performed by the Skidmore College Orchestra (courtesy of Musopen)
Notturno, Op. 54, No. 4
Performed live by Mark Gasser
Problems listening to these files? See media help.
The Piano Concerto is his most popular work. Its champions have included the pianist and composer Percy Grainger, a personal friend of Grieg who played the concerto frequently during his long career. An arrangement of part of the work made an iconic television comedy appearance in the 1971 Morecambe and Wise Show, conducted by André Previn.
Some of the Lyric Pieces (for piano) are also well-known, as is the incidental music to Henrik Ibsen's play Peer Gynt, a play that Grieg found to be an arduous work to score properly. In a 1874 letter to his friend Frants Beyer, Grieg expressed his unhappiness with what is now considered one of his most popular compositions from Peer Gynt, In the Hall of the Mountain King: "I have also written something for the scene in the hall of the mountain King - something that I literally can't bear listening to because it absolutely reeks of cow-pies, exaggerated Norwegian nationalism, and trollish self-satisfaction! But I have a hunch that the irony will be discernible."
The Little Mermaid
The Little Mermaid is a 1989 animated feature produced by Walt Disney Feature Animation with pencil test began on September 23, 1988 and first released on November 17, 1989 by Walt Disney Pictures with the first Wallace and Gromit short film, A Grand Day Out. The twenty-eighth animated feature in the Disney animated features canon, the film is based on the Hans Christian Andersen fairy tale "The Little Mermaid." During its initial release, it grossed over $84 million in the United States and an additional $99 million internationally.
The film is given credit for breathing life back into the animated feature film genre after a string of critical and commercial failures that had dated to the early 1980s. It also marked the start of the era known as Disney Renaissance.
A stage adaptation of the film with a book by Doug Wright and additional songs by Alan Menken and new lyricist Glenn Slater opened in Denver in July 2007 and began performances on Broadway.
The Little Mermaid: An Original Walt Disney Records Soundtrack is the soundtrack to Disney's 1989 animated feature The Little Mermaid. It contains the songs from the film written by Alan Menken and Howard Ashman, as well as the film's score composed by Alan Menken. The album received the Academy Award for Best Original Score and the Golden Globe Award for Best Original Score.
In October 2006, a new two-disc special edition version of the soundtrack was released to correspond with the two-disc Platinum Edition DVD release of The Little Mermaid. The first disc remains identical to the original release, yet with remastered audio, while the newly added second disc is composed of various newly recorded version of the film's songs by different artists, such as Ashley Tisdale, Raven-Symoné, The Jonas Brothers, and Jessica Simpson. It also includeds two videos, as well as new cover art.
The film is given credit for breathing life back into the animated feature film genre after a string of critical and commercial failures that had dated to the early 1980s. It also marked the start of the era known as Disney Renaissance.
A stage adaptation of the film with a book by Doug Wright and additional songs by Alan Menken and new lyricist Glenn Slater opened in Denver in July 2007 and began performances on Broadway.
The Little Mermaid: An Original Walt Disney Records Soundtrack is the soundtrack to Disney's 1989 animated feature The Little Mermaid. It contains the songs from the film written by Alan Menken and Howard Ashman, as well as the film's score composed by Alan Menken. The album received the Academy Award for Best Original Score and the Golden Globe Award for Best Original Score.
In October 2006, a new two-disc special edition version of the soundtrack was released to correspond with the two-disc Platinum Edition DVD release of The Little Mermaid. The first disc remains identical to the original release, yet with remastered audio, while the newly added second disc is composed of various newly recorded version of the film's songs by different artists, such as Ashley Tisdale, Raven-Symoné, The Jonas Brothers, and Jessica Simpson. It also includeds two videos, as well as new cover art.
Cantori Gregoriani
Musical group Genre: Gospel Albums: Mihi vivere Christus est, Corpus Domini, MORE Songs
Rorate caeli Adventus Domini · 1995 Scio cui credidi Mihi vivere Christus est · 2008 Kyrie XVII Messe gregoriane · 2012
Rorate caeli Adventus Domini · 1995 Scio cui credidi Mihi vivere Christus est · 2008 Kyrie XVII Messe gregoriane · 2012
Traditional
Ingrid Michaelson
Ingrid Michaelson (born 1979) is a New York-based indie-pop singer-songwriter, probably best known for her single The Way I Am. Her music has been featured in episodes of several popular television shows, including Grey's Anatomy and One Tree Hill, as well as in Old Navy's Fall 2007 Fair Isle advertising campaign.
She is a graduate of Staten Island Technical High School and Binghamton University, where she received a degree in theater. Her time at Binghamton is both mentioned and the backdrop for the song, "The Hat." She grew up doing a musical theater group called "Kids On Stage". Later in life she became director until she decided to pursue her career in music. On September 10, 2008, she opened for Dave Matthews Band's Stand Up for a Cure charity show at Madison Square Garden. Her set included Die Alone, Breakable, Overboard, Be OK, The Way I Am, Locked Up and some playful covers of Ice Ice Baby and The Fresh Prince of Bel-Air Theme song. She closed her set with a solo acoustic performance of Over the Rainbow in tribute to the late DMB saxophonist LeRoi Moore.
She is a graduate of Staten Island Technical High School and Binghamton University, where she received a degree in theater. Her time at Binghamton is both mentioned and the backdrop for the song, "The Hat." She grew up doing a musical theater group called "Kids On Stage". Later in life she became director until she decided to pursue her career in music. On September 10, 2008, she opened for Dave Matthews Band's Stand Up for a Cure charity show at Madison Square Garden. Her set included Die Alone, Breakable, Overboard, Be OK, The Way I Am, Locked Up and some playful covers of Ice Ice Baby and The Fresh Prince of Bel-Air Theme song. She closed her set with a solo acoustic performance of Over the Rainbow in tribute to the late DMB saxophonist LeRoi Moore.
Moritz Moszkowski
Moritz (Maurice) Moszkowski (23 August 1854 – 4 March 1925) was a German composer, pianist, and teacher of Polish descent. Ignacy Paderewski said, "After Chopin, Moszkowski best understands how to write for the piano". Although little known today, Moszkowski was well-respected and popular during the late nineteenth century.
His music is brilliant, but has also been described as "devoid of the masculine and the feminine". He wrote over two hundred small-scale piano pieces, which brought him much popularity – notably his set of Spanish Dances, Op. 12, for piano duet (later arranged for solo piano, and for orchestra ). His early Serenade, Op. 15, was world-famous and appeared in many guises, including the song Liebe, kleine Nachtigall. Today he is probably best known for his fifteen Études de Virtuosité, Op. 72, which have been performed by virtuoso pianists such as Vladimir Horowitz and Marc-André Hamelin. Surprisingly, their first complete recording was not until 1970 (by Ilana Vered). Many of his small but brilliant piano pieces, such as Étincelles (Sparks), are used as encore performances at the end of classical concerts.
He also wrote larger scale works including the Piano Concerto in E major, Op. 59 (1898), the Violin Concerto in C major, Op. 30, three orchestral suites (Opp. 39, 47, 79), and a symphonic poem Jeanne d'Arc, Op. 19.
He wrote the opera Boabdil der letzte Maurenkönig, Op. 49, on the historical theme of the capture of Granada. It was premiered at the Berlin Court Opera on 21 April 1892, and appeared in Prague and New York the following year. It did not stay in the repertoire, but its ballet music was very popular for a number of years. He wrote a three-act ballet Laurin in 1896.
His music is brilliant, but has also been described as "devoid of the masculine and the feminine". He wrote over two hundred small-scale piano pieces, which brought him much popularity – notably his set of Spanish Dances, Op. 12, for piano duet (later arranged for solo piano, and for orchestra ). His early Serenade, Op. 15, was world-famous and appeared in many guises, including the song Liebe, kleine Nachtigall. Today he is probably best known for his fifteen Études de Virtuosité, Op. 72, which have been performed by virtuoso pianists such as Vladimir Horowitz and Marc-André Hamelin. Surprisingly, their first complete recording was not until 1970 (by Ilana Vered). Many of his small but brilliant piano pieces, such as Étincelles (Sparks), are used as encore performances at the end of classical concerts.
He also wrote larger scale works including the Piano Concerto in E major, Op. 59 (1898), the Violin Concerto in C major, Op. 30, three orchestral suites (Opp. 39, 47, 79), and a symphonic poem Jeanne d'Arc, Op. 19.
He wrote the opera Boabdil der letzte Maurenkönig, Op. 49, on the historical theme of the capture of Granada. It was premiered at the Berlin Court Opera on 21 April 1892, and appeared in Prague and New York the following year. It did not stay in the repertoire, but its ballet music was very popular for a number of years. He wrote a three-act ballet Laurin in 1896.
Bill Evans
William John Evans, known as Bill Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist. His use of impressionist harmony, inventive interpretation of traditional jazz repertoire, and trademark rhythmically independent, "singing" melodic lines influenced a generation of pianists, including Chick Corea, Herbie Hancock, John Taylor, Steve Kuhn, Don Friedman, Denny Zeitlin, Bobo Stenson and Keith Jarrett, as well as guitarists Lenny Breau and Pat Metheny. The music of Bill Evans continues to inspire younger pianists like Marcin Wasilewski, Fred Hersch, Ray Reach, Bill Charlap, Lyle Mays, Eliane Elias and arguably Brad Mehldau, early in his career.
Evans is an inductee of the Down Beat Jazz Hall of Fame.
Evans is an inductee of the Down Beat Jazz Hall of Fame.
Franz Schubert
Franz Peter Schubert (German pronunciation: ; January 31, 1797 – November 19, 1828) was an Austrian composer. He wrote some 600 Lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, some incidental music, and a large body of chamber and solo piano music. He is particularly noted for his original melodic and harmonic writing.
Schubert was born into a musical family, and received formal musical training through much of his childhood. While Schubert had a close circle of friends and associates who admired his work (amongst them the prominent singer Johann Michael Vogl), wide appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. He made some money from published works, and occasionally gave private musical instruction. In the last year of his life he began to receive wider acclaim. He died at the age of 31 of "typhoid fever", a diagnosis which was vague at the time; several scholars suspect the real illness was tertiary syphilis.
Interest in Schubert's work increased dramatically in the decades following his death. Composers like Franz Liszt, Robert Schumann and Felix Mendelssohn discovered, collected, and championed his works in the 19th century, as did musicologist Sir George Grove. Franz Schubert is now widely considered to be one of the greatest composers in the Western tradition.
Schubert was born into a musical family, and received formal musical training through much of his childhood. While Schubert had a close circle of friends and associates who admired his work (amongst them the prominent singer Johann Michael Vogl), wide appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. He made some money from published works, and occasionally gave private musical instruction. In the last year of his life he began to receive wider acclaim. He died at the age of 31 of "typhoid fever", a diagnosis which was vague at the time; several scholars suspect the real illness was tertiary syphilis.
Interest in Schubert's work increased dramatically in the decades following his death. Composers like Franz Liszt, Robert Schumann and Felix Mendelssohn discovered, collected, and championed his works in the 19th century, as did musicologist Sir George Grove. Franz Schubert is now widely considered to be one of the greatest composers in the Western tradition.
Francis Poulenc
Francis Jean Marcel Poulenc (French pronunciation: (7 January 1899 - 30 January 1963) was a French composer and a member of the French group Les Six. He composed music in genres including art song, solo piano music, chamber music, oratorio, opera, ballet music, and orchestral music. Critic Claude Rostand, in a July 1950 Paris-Presse article, described Poulenc as "half monk, half delinquent" ("le moine et le voyou"), a tag that was to be attached to his name for the rest of his career.
Marcela Moreno
Marcela Morelo is an Argentine singer-songwriter. She has released eight critically acclaimed studio albums, which all earned either Gold or Platinum record. Morelo also won five Gardel Awards, the most prestigious musical award in Argentina.
Matt Roberts
Matt Roberts Musician Born: January 10, 1978, Escatawpa, Mississippi, United States Died: August 20, 2016, West Bend, Wisconsin, United States Songs Kryptonite The Better Life · 2000 When I'm Gone The Better Life · 2000 It’s Not My Time
3 Doors Down · 2008
3 Doors Down · 2008
Dirk Brossé
Dirk, Knight Brossé is a Belgian conductor and composer. He has composed over 200 works, including concerti, oratorios, lieder, chamber music and symphonic works. Brossé has also composed extensively for stage, cinema, television. His score for the BBC/HBO series Parade's End was nominated for an Emmy Award.
Théodore-César Salom
Théodore-César Salomé (20 January 1834 – 26 July 1896) was a French organist and composer.Théodore Salomé was born in Paris. He completed all of his musical studies at the Conservatoire de Paris, under the tutelage of François Bazin for harmony and accompaniment, and François Benoist for organ. He won several honorable awards, including: second prize in harmony (1855), second prize in organ and in harmony (1856), second and third prize in harmony and organ (1857), and second prize in harmony (1859). His cantata Atala was awarded the premier Second Grand Prix of the Prix de Rome in 1861. In the same year Théodore Dubois was awarded the first grand prize, and Eugène Anthiome and Titus Constantin won the deuxième Second Grand Prix.
Ennio Morricone
Ennio Morricone, OMRI (born November 10, 1928), is an Italian composer and conductor. He has composed and arranged scores for more than 500 film and television productions. Morricone is considered as one of the most influential film composers since the late 1950s. He is well-known for his long-term collaborations with international acclaimed directors such as Sergio Leone, Brian De Palma, Barry Levinson, and Giuseppe Tornatore.
He wrote the characteristic film scores of Leone's Spaghetti Westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), Once Upon a Time in the West (1968), The Great Silence (1968), and My Name Is Nobody (1973). In the 80s, Morricone composed the scores for John Carpenter's horror movie The Thing (1982), Leone's Once Upon a Time in America (1984), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988).
His more recent compositions include the scores for Oliver Stone's U Turn (1997), Tornatore's The Legend of 1900 (1998) and Malèna (2000), Mission to Mars (2000) by Brian De Palma, Fateless (2005), and Baaria - La porta del vento (2009). Ennio Morricone has won two Grammy Awards, two Golden Globes and five Anthony Asquith Awards for Film Music by BAFTA in 1979–1992. He has been nominated for five Academy Awards for Best Music, Original Score in 1979–2001. Morricone received the Honorary Academy Award in 2007 "for his magnificent and multifaceted contributions to the art of film music". He was the second composer to receive this award after its introduction in 1928.
He wrote the characteristic film scores of Leone's Spaghetti Westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), Once Upon a Time in the West (1968), The Great Silence (1968), and My Name Is Nobody (1973). In the 80s, Morricone composed the scores for John Carpenter's horror movie The Thing (1982), Leone's Once Upon a Time in America (1984), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988).
His more recent compositions include the scores for Oliver Stone's U Turn (1997), Tornatore's The Legend of 1900 (1998) and Malèna (2000), Mission to Mars (2000) by Brian De Palma, Fateless (2005), and Baaria - La porta del vento (2009). Ennio Morricone has won two Grammy Awards, two Golden Globes and five Anthony Asquith Awards for Film Music by BAFTA in 1979–1992. He has been nominated for five Academy Awards for Best Music, Original Score in 1979–2001. Morricone received the Honorary Academy Award in 2007 "for his magnificent and multifaceted contributions to the art of film music". He was the second composer to receive this award after its introduction in 1928.
Maury Yeston
Maury Yeston is an American composer, lyricist, educator and musicologist. He is known for initiating new Broadway musicals, and writing their music and lyrics, among them Nine in 1982, and Titanic in 1997, both of which won him Tony Awards for best musical and best score and each brought him nominations for a Grammy.
Alfred Schnittke
Alfred Garrievich Schnittke was a Soviet and German composer. Schnittke's early music shows the strong influence of Dmitri Shostakovich. He developed a polystylistic technique in works such as the epic Symphony No. 1 and his first concerto grosso. Wikipedia Born: November 24, 1934, Engels, Russia Died: August 3, 1998, Hamburg, Germany
Place of burial: Novodevichy Cemetery, Moscow, Russia Spouse: Irina Schnittke (m. 1961–1998), Galina Koltsina (m. 1956–1958)
Place of burial: Novodevichy Cemetery, Moscow, Russia Spouse: Irina Schnittke (m. 1961–1998), Galina Koltsina (m. 1956–1958)
Schmitt
Florent Schmitt (September 28, 1870 – August 17, 1958) was a French composer.
Swing - The Musical
Swing! is a musical conceived by Paul Kelly with music by various artists. It celebrates the music of the Swing era of jazz (1930s–1946), including many well-known tunes by artists like Duke Ellington, William "Count" Basie, Benny Goodman and others. It received a nomination for the 2000 Tony Award for Best Musical and other Tony awards.
Muzio Clementi
Muzio Filippo Vincenzo Francesco Saverio Clementi (23 January 1752 – 10 March 1832) was an Italian composer, virtuoso pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer, who was mostly active in England.
Encouraged to study music by his father, he was sponsored as a young composer by Sir Peter Beckford who took him to England to advance his studies. Later, he toured Europe numerous times from his long-standing base in London. It was on one of these occasions, in 1781, that he engaged in a piano competition with Wolfgang Amadeus Mozart.
Encouraged to study music by his father, he was sponsored as a young composer by Sir Peter Beckford who took him to England to advance his studies. Later, he toured Europe numerous times from his long-standing base in London. It was on one of these occasions, in 1781, that he engaged in a piano competition with Wolfgang Amadeus Mozart.
E. A. MACDOWELL
Edward Alexander MacDowell was an American composer and pianist of the late Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces and New England Idylls. Woodland Sketches includes his most popular short piece, "To a Wild Rose".
Koji Kondo
Koji Kondo (近藤浩治 Kondō Kōji?, born August 13, 1960) is a Japanese video game composer and sound director who has been employed at Nintendo since 1984. He is best known for scoring numerous titles in the Mario and The Legend of Zelda series.
Bedrich Smetana
Bedřich Smetena. He is considered as the founder of Czech music, pianist, conductor, composer. He was one of the first nationalist composers in the history of music.
John Williams
John Towner Williams (born February 8, 1932) is an American composer, conductor, and pianist. In a career that spans six decades, Williams has composed many of the most famous film scores in Hollywood history, including Star Wars, Superman, Home Alone, the first three Harry Potter movies and all but two of Steven Spielberg's feature films including the Indiana Jones series, Schindler's List, E.T. the Extra-Terrestrial, Jurassic Park and Jaws. He also composed the soundtrack for the hit 1960s television series Lost in Space as well as the fanfare of the DreamWorks Pictures' logo.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Johann Sebastian Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Art of Fugue, the Brandenburg Concertos, and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of the Western art musical canon.
Roberta Flack
Roberta Cleopatra Flack is an American singer. She is known for her No. 1 singles "The First Time Ever I Saw Your Face", "Killing Me Softly with His Song", "Feel Like Makin' Love"; and "Where Is the Love" and "The Closer I Get to You", two of her many duets with Donny Hathaway.
Kevin West
Kevin West is a Singer-songwriter / Guitar player from Charleston SC with a life time of singing and playing guitar as well as many years writing and recording music. His influences range Stevie Ray Vaughan to Tupac Shakur to Dave Matthews and beyond so his music seems to find it’s own sound
Yann Tiersen
Guillaume Yann Tiersen (born 23 June 1970) is a French musician and composer known internationally for composing the score to the Jean-Pierre Jeunet movie Amélie. His music is recognized by its use of a large variety of instruments in relatively minimalist compositions, often with a touch of either European classical music or French folk music, using primarily the piano, accordion or violin together with instruments like the melodica, xylophone, toy piano, ondes martenot, harpsichord and typewriter. His musical style is reminiscent of Frédéric Chopin, Erik Satie, Philip Glass and Michael Nyman.
Antonin Dvorak
Antonín Leopold Dvořák (English pronunciation: /ˈdvɒrʒɑːk/ DVOR-zhahk or /ˈdvɒrʒæk/ DVOR-zhak; Czech: ( listen); September 8, 1841 – May 1, 1904) was a Czech composer of Romantic music, who employed the idioms of the folk music of Moravia and his native Bohemia. His works include operas, symphonic, choral and chamber music. His best-known works include his New World Symphony, the Slavonic Dances, "American" String Quartet, and Cello Concerto in B minor.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (of which the best known is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (of which the best known is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Schumann
Robert Schumann, sometimes given as Robert Alexander Schumann, (June 8, 1810 – July 29, 1856) was a German composer, aesthete and influential music critic. He is one of the most famous Romantic composers of the 19th century.
He had hoped to pursue a career as a virtuoso pianist, having been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe after only a few years of study with him. However, a hand injury prevented those hopes from being realized, and he decided to focus his musical energies on composition. Schumann's published compositions were, until 1840, all for the piano; he later composed works for piano and orchestra, many lieder (songs for voice and piano), four symphonies, an opera, and other orchestral, choral and chamber works. His writings about music appeared mostly in the Neue Zeitschrift für Musik ("The New Journal for Music"), a Leipzig-based publication that he jointly founded.
In 1840, after a long and acrimonious legal battle with his piano instructor Friedrich Wieck, Schumann married Wieck's daughter, pianist Clara Wieck, a considerable figure of the Romantic period in her own right. Clara Wieck showcased many works by her husband as well. For the last two years of his life, after an attempted suicide, Schumann was confined to a mental institution.
He had hoped to pursue a career as a virtuoso pianist, having been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe after only a few years of study with him. However, a hand injury prevented those hopes from being realized, and he decided to focus his musical energies on composition. Schumann's published compositions were, until 1840, all for the piano; he later composed works for piano and orchestra, many lieder (songs for voice and piano), four symphonies, an opera, and other orchestral, choral and chamber works. His writings about music appeared mostly in the Neue Zeitschrift für Musik ("The New Journal for Music"), a Leipzig-based publication that he jointly founded.
In 1840, after a long and acrimonious legal battle with his piano instructor Friedrich Wieck, Schumann married Wieck's daughter, pianist Clara Wieck, a considerable figure of the Romantic period in her own right. Clara Wieck showcased many works by her husband as well. For the last two years of his life, after an attempted suicide, Schumann was confined to a mental institution.
Lucy Simon
Lucy Simon is an American composer for the theatre and of popular songs. She has recorded and performed as a singer and songwriter, and is known for the musicals The Secret Garden and Doctor Zhivago.Simon was born in New York City, the daughter of the co-founder of the book publisher Simon & Schuster, Inc., Richard L. Simon and Andrea (Heinemann) Simon, a former switchboard operator, civil rights activist, and singer. Her father was from a German Jewish family, while her maternal grandfather Friedrich was of German descent. Lucy's maternal grandmother, known as "Chibie", was a Catholic from Cuba, and was of pardo heritage, a freed-slave descendant (the show Finding Your Roots tested Carly Simon's DNA as 10% African and 2% Indigenous).[1
Peter Cincotti
Peter Cincotti (born July 11, 1983) is an American singer-songwriter. He began playing piano at the age of three. While in high school, he regularly performed in clubs throughout Manhattan. In 2003, Cincotti's debut album, produced by Phil Ramone, reached No. 1 on the Billboard jazz chart, making Cincotti the youngest musician to do so. This led to performances at Carnegie Hall, Lincoln Center, Radio City Music Hall, L'Olympia, Queen Elizabeth Hall, and the Montreux Jazz Festival where he won an award in the piano competition. Cincotti's style blends pop, rock, blues, and jazz.
Serge Koussevitzky
Serge Alexandrovich Koussevitzky (Russian: Серге́й Алекса́ндрович Кусеви́цкий; Sergey Aleksandrovich Kusevitsky; July 26 1874 – June 4, 1951) was a Russian-born conductor, composer and double-bassist, known for his long tenure as music director of the Boston Symphony Orchestra from 1924 to 1949.
Atie Bernet
Atie Bernet-Blom (born: Blom) is a Dutch female composer and church-musician and choral conductor. She composed about 150 individual works, mostla in the area of church-music and gospelsongs (in Dutch, English and Swedish).
The Flying Prickets
The Flying Pickets are a British a cappella vocal group who had a Christmas number one hit in 1983 in the UK Singles Chart with their cover version of Yazoo's track "Only You".The band of six was founded by Brian Hibbard in 1982 from a group of actors who had been active with him in John McGrath's 7:84 theatre group, a fringe theatre organisation who had sung a cappella in their production of the 1981 play One Big Blow. The group chose the name The Flying Pickets as band members had played a part in the UK miners' strikes of 1972 and 1974.Performing in clubs and pubs in London, The Flying Pickets came up with a novel concept of transferring the art of a cappella to the pop music scene. Joining Hibbard in the group were Rick Lloyd (who also wrote the music to One Big Blow), Gareth Williams, David Brett, Ken Gregson (real name Kenneth Gregory) and Red Stripe (real name David Gittins). The members of the group were internationally renowned for their flamboyant appearance: Hibbard's huge sideburns, Stripe's thick eye-liner, and the others showing off gaudy suits and large hats. Two of the other original members, Ron Donachie and Christopher Ryan left the band before "Only You".
Paolo Tosti
Sir Paolo Tosti (April 9, 1846 – December 2, 1916) was an Italian, later British, composer and music teacher.
Tosti's songs are characterized by natural, singable melodies and sweet sentimentality. He is also known for his editions of Italian folk songs entitled "Canti popoliari Abruzzesi". Tosti is remembered for his light, expressive songs. His style became very popular during the Belle Époque and is often known as salon music. His most famous works are Serenata (lyrics: Cesareo), Goodbye (lyrics: George J. Whyte Mellville) which is sometimes performed in Italian as Addio (lyrics: Rizzelli), and the popular Neapolitan song, Marechiare, the lyrics of which are by the prominent Neapolitan dialect poet, Salvatore Di Giacomo.
As a composer, Tosti is exceptional. Since the beginning of the recording era, numerous recording artists specializing in classical Italian repertoire have recorded Tosti songs, yet Tosti never composed opera. Notable examples on recording include Alessandro Moreschi (the only castrato who ever recorded) singing "Ideale", Nellie Melba singing "Mattinata" and Jussi Björling singing "L'alba separa dalla luce l'ombra".
Tosti's songs are characterized by natural, singable melodies and sweet sentimentality. He is also known for his editions of Italian folk songs entitled "Canti popoliari Abruzzesi". Tosti is remembered for his light, expressive songs. His style became very popular during the Belle Époque and is often known as salon music. His most famous works are Serenata (lyrics: Cesareo), Goodbye (lyrics: George J. Whyte Mellville) which is sometimes performed in Italian as Addio (lyrics: Rizzelli), and the popular Neapolitan song, Marechiare, the lyrics of which are by the prominent Neapolitan dialect poet, Salvatore Di Giacomo.
As a composer, Tosti is exceptional. Since the beginning of the recording era, numerous recording artists specializing in classical Italian repertoire have recorded Tosti songs, yet Tosti never composed opera. Notable examples on recording include Alessandro Moreschi (the only castrato who ever recorded) singing "Ideale", Nellie Melba singing "Mattinata" and Jussi Björling singing "L'alba separa dalla luce l'ombra".
Evanescence
Evanescence is an American rock band founded in Little Rock, Arkansas in 1995 by singer/pianist Amy Lee and guitarist Ben Moody.
After recording two private EPs and a demo CD named Origin, with the help of Bigwig Enterprises in 2000, the band released their first full-length album, Fallen, on Wind-up Records in 2003. Fallen sold more than 15 million copies worldwide and helped the band win two Grammy Awards. A year later, Evanescence released their first live album, Anywhere but Home, which sold more than one million copies worldwide. In 2006, the band released their second studio album, The Open Door, which has sold more than four million copies.
The band has suffered several line-up changes, including co-founder Moody leaving in 2003, followed by guitarist John LeCompt and drummer Rocky Gray in 2007. Lee is now the only original member of Evanescence remaining in the band.
After recording two private EPs and a demo CD named Origin, with the help of Bigwig Enterprises in 2000, the band released their first full-length album, Fallen, on Wind-up Records in 2003. Fallen sold more than 15 million copies worldwide and helped the band win two Grammy Awards. A year later, Evanescence released their first live album, Anywhere but Home, which sold more than one million copies worldwide. In 2006, the band released their second studio album, The Open Door, which has sold more than four million copies.
The band has suffered several line-up changes, including co-founder Moody leaving in 2003, followed by guitarist John LeCompt and drummer Rocky Gray in 2007. Lee is now the only original member of Evanescence remaining in the band.
Coeur de pirate
Béatrice Martin (born September 22, 1989) is a Canadian pop singer-songwriter from Quebec, who performs under the stage name Cœur de pirate.
She started playing the piano when she was only three years old, and later played as a keyboardist in the post hardcore band December Strikes First when she was 15 years old. After a brief stint as keyboardist for Bonjour Brumaire, she released her debut album Cœur de pirate in 2008 on Grosse Boîte. The album was subsequently nominated for Francophone Album of the Year at the 2009 Juno Awards.
The single "Comme des enfants" reached #1 on CBC Radio 3's R3-30 charts the week of February 19, 2009; it was only the second French language song, following Les Breastfeeders' "Pas sans saveur" in 2006, ever to top that chart.
She attracted wider media attention in February 2009 when Francis Vachon, a photographer from Quebec City, used her song "Ensemble" as the soundtrack to a popular YouTube video depicting his baby son playing with toys, leading to coverage on Good Morning America and a favourable review from blogger Perez Hilton.
In March 2009, Martin started an English side-project called Pearls.
In June 2009, she appeared on a special appearance of CBC Radio's Q radio show with Jian Ghomeshi. She performed her single "Ensemble" and a new song, titled "Place de la république".
She started playing the piano when she was only three years old, and later played as a keyboardist in the post hardcore band December Strikes First when she was 15 years old. After a brief stint as keyboardist for Bonjour Brumaire, she released her debut album Cœur de pirate in 2008 on Grosse Boîte. The album was subsequently nominated for Francophone Album of the Year at the 2009 Juno Awards.
The single "Comme des enfants" reached #1 on CBC Radio 3's R3-30 charts the week of February 19, 2009; it was only the second French language song, following Les Breastfeeders' "Pas sans saveur" in 2006, ever to top that chart.
She attracted wider media attention in February 2009 when Francis Vachon, a photographer from Quebec City, used her song "Ensemble" as the soundtrack to a popular YouTube video depicting his baby son playing with toys, leading to coverage on Good Morning America and a favourable review from blogger Perez Hilton.
In March 2009, Martin started an English side-project called Pearls.
In June 2009, she appeared on a special appearance of CBC Radio's Q radio show with Jian Ghomeshi. She performed her single "Ensemble" and a new song, titled "Place de la république".
Gabriel Faure
Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, organist, pianist, and teacher. He was the foremost French composer of his generation, and his musical style influenced many 20th century composers. His harmonic and melodic language affected how harmony was later taught.
Calixa Lavallée
Calixa Lavallée (December 28, 1842 – January 21, 1891) was a French-Canadian-American musician and Union Army band musician during the American Civil War. He is best known for composing the music for "O Canada," which officially became the national anthem of Canada in 1980, after a vote in the Senate and the House of Commons. The same 1980 Act of Parliament also changed some of the English lyrics. A slight alteration to the English lyrics was made again in 2018. The original French lyrics and the music, however, have remained unchanged since 1880.
THanh Son
Thanh Son Musician Born: May 1, 1938, Sóc Trăng, Vietnam Died: April 4, 2012, Ho Chi Minh City, Vietnam Spouse: Le Thi Huong (m. 1959–2012) Songs Nhật ký đời tôi Bien Nho Sóc Sờ Bai Sóc Trăng Hương Tình Cũ
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.