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Bass Sheet Music
"What I think I do is to relate any new material to how similar it is to something else. The closest that I can come up with something that's already in my experience, the easier it becomes. All I have to do then is remember where it differs, like relating a chord sequence that comes from some other tune, or several different tunes, or maybe parts of them and then work it from there." Tal Farlow - Jazz Guitar
Gentle Giant
Gentle Giant were a British progressive rock band active between 1970 and 1980. The band was known for the complexity and sophistication of its music and for the varied musical skills of its members. All of the band members, except the first two drummers, were multi-instrumentalists. Although not commercially successful, they did achieve a cult following.
The band's onetime stated aim was to "expand the frontiers of contemporary popular music at the risk of becoming very unpopular," although this stance was to alter significantly with time. While never achieving the commercial heights of progressive rock contemporaries such as Jethro Tull, Genesis, Yes or Emerson, Lake & Palmer, Gentle Giant was considered to be one of the most experimental bands in the genre (as well as one of the most experimental rock bands of the 1970s).
The band's onetime stated aim was to "expand the frontiers of contemporary popular music at the risk of becoming very unpopular," although this stance was to alter significantly with time. While never achieving the commercial heights of progressive rock contemporaries such as Jethro Tull, Genesis, Yes or Emerson, Lake & Palmer, Gentle Giant was considered to be one of the most experimental bands in the genre (as well as one of the most experimental rock bands of the 1970s).
Ray Henderson
Ray Henderson (December 1, 1896 – December 31, 1970), was an American songwriter.
Born Raymond Brost in Buffalo, New York, Henderson moved to New York City and became a popular composer in Tin Pan Alley. He was one third of a successful songwriting and music publishing team with Lew Brown and Buddy De Sylva from 1925 through 1930, responsible for several editions of the revue called George White's Scandals and such book musicals as Good News, Hold Everything!, and Follow Thru. After De Sylva's departure, Henderson continued to write with Brown through 1933, then worked with other partners. In 1934 he composed the musical Say When with lyricist Ted Koehler.
Henderson's biggest hit songs included "That Old Gang of Mine", "Annabelle" (both 1923), "Bye Bye Blackbird", "Five Foot Two, Eyes of Blue", "I'm Sitting on Top of the World" (all 1925), "The Varsity Drag" (1927), "You're The Cream In My Coffee" (1928), "Button Up Your Overcoat", "You Are My Lucky Star" "I'm A Dreamer, Aren't We All", "Keep Your Sunny Side Up" (1929), "The Thrill Is Gone", and "Life Is Just a Bowl of Cherries" (1931).
Born Raymond Brost in Buffalo, New York, Henderson moved to New York City and became a popular composer in Tin Pan Alley. He was one third of a successful songwriting and music publishing team with Lew Brown and Buddy De Sylva from 1925 through 1930, responsible for several editions of the revue called George White's Scandals and such book musicals as Good News, Hold Everything!, and Follow Thru. After De Sylva's departure, Henderson continued to write with Brown through 1933, then worked with other partners. In 1934 he composed the musical Say When with lyricist Ted Koehler.
Henderson's biggest hit songs included "That Old Gang of Mine", "Annabelle" (both 1923), "Bye Bye Blackbird", "Five Foot Two, Eyes of Blue", "I'm Sitting on Top of the World" (all 1925), "The Varsity Drag" (1927), "You're The Cream In My Coffee" (1928), "Button Up Your Overcoat", "You Are My Lucky Star" "I'm A Dreamer, Aren't We All", "Keep Your Sunny Side Up" (1929), "The Thrill Is Gone", and "Life Is Just a Bowl of Cherries" (1931).
John Patitucci
John Patitucci (born December 22, 1959) is an American jazz double bass and jazz fusion electric bass player.
Summer of '42
Summer of '42 is a 1971 American coming-of-age comedy-drama film based on the memoirs of screenwriter Herman Raucher (b. 1928). It tells the story of how Raucher, in his early teens on his 1942 summer vacation on Nantucket Island (off the coast of Cape Cod), embarks on a one-sided romance with a young woman, Dorothy, whose husband has gone off to fight in World War II.
The film was directed by Robert Mulligan, and starred Gary Grimes as Hermie, Jerry Houser as his best friend Oscy, Oliver Conant as their nerdy young friend Benjie, Jennifer O'Neill as the mysterious woman with whom Hermie becomes involved, and Katherine Allentuck and Christopher Norris as a pair of girls whom Hermie and Oscy attempt to seduce. Mulligan also has an uncredited role as the voice of the adult Hermie. Maureen Stapleton (Allentuck's mother) also appears in a small, uncredited voice role (calling after Hermie as he leaves the house in an early scene, and after he enters his room in a later scene).
Raucher's novelization of his screenplay of the same name was released prior to the film's release and became a runaway bestseller, to the point that audiences lost sight of the fact that the book was based on the film and not vice versa. Though a pop culture phenomenon in the first half of the 1970s, the novelization went out of print and slipped into obscurity throughout the next two decades until a Broadway adaptation in 2001 brought it back into the public light and prompted Barnes & Noble to acquire the publishing rights to the book.
The film was directed by Robert Mulligan, and starred Gary Grimes as Hermie, Jerry Houser as his best friend Oscy, Oliver Conant as their nerdy young friend Benjie, Jennifer O'Neill as the mysterious woman with whom Hermie becomes involved, and Katherine Allentuck and Christopher Norris as a pair of girls whom Hermie and Oscy attempt to seduce. Mulligan also has an uncredited role as the voice of the adult Hermie. Maureen Stapleton (Allentuck's mother) also appears in a small, uncredited voice role (calling after Hermie as he leaves the house in an early scene, and after he enters his room in a later scene).
Raucher's novelization of his screenplay of the same name was released prior to the film's release and became a runaway bestseller, to the point that audiences lost sight of the fact that the book was based on the film and not vice versa. Though a pop culture phenomenon in the first half of the 1970s, the novelization went out of print and slipped into obscurity throughout the next two decades until a Broadway adaptation in 2001 brought it back into the public light and prompted Barnes & Noble to acquire the publishing rights to the book.